美剧天堂 美剧天堂

确认

购买本片需要支付0金币,确定要购买吗?

取消

确定

影视简介
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment
演员

嗨,妈妈!

资源列表
  • HD中字
相关影视
更多
疯狂喜剧人
暂无简介,敬请期待
无限自助餐厅
First-time feature director and award-winning comedian Simon Glassman comes to Fantasia with the cosmic horror, BUFFET INFINITY! Picking from hundreds of hours of original, low-budget TV ads, Glassman tells the sinister tale of two restaurants battling it out in the town of Westridge County. Insurance ads, used car rivals, and plugs for a local religious scholar and recording a...
玛夫卡:真实神话
Mavka is a dangerous nymph of the forest lake that lure people into its depths for the mermaids to feed on their energy. When she meets Lukian, a biology whizz, Mavka falls in love disrupting the natural order.
怒火焚情
Follows an angry convict seeking vengeance against his former girlfriend who betrayed him.
跟着书本去旅行
《跟着书本去旅行》是一档体验式文化教育节目。节目以中小学课本或经典名著为线索,在读万卷书的同时行万里路,走近文化古迹、实地实景讲故事、身临其境受教育,触摸历史、感知文化,让陈列在广阔大地上的遗产活起来。
相信我:假先知真面目
在这部真实犯罪题材的纪录片中,邪教专家兼电影制作人潜入一个一夫多妻制教派,目的是揭露一名自称先知的男子并将其绳之以法。
玛夫卡:真实神话
Mavka is a dangerous nymph of the forest lake that lure people into its depths for the mermaids to feed on their energy. When she meets Lukian, a biology whizz, Mavka falls in love disrupting the natural order.
木兰:血刃
女将木兰卸甲归乡,惊见母亡父死、弟被掳走。她深入黑矿救弟后,却目睹其弟惨死恶吏之手。在追查中,她逐步揭开雍州官商勾结的黑幕:恶霸刘焕私铸假币、残害百姓;州官嵇世勋表面赈灾,实则借军功之名盘剥乡里、杀良冒功。木兰孤身复仇,手刃刘焕;更识破嵇世勋伪善的面具,亦割其耳并押送天子处置,为民除害。最终她拜别父母家人,独自前行,誓将星星之火带到更多地方,点亮人们心中的正义之火。
混凝土乌托邦
该片以大地震后荒废的首尔为背景,讲述聚集在此地唯一剩下的“皇宫公寓”里的生存者们的故事。
荒野2024
在首尔变成一片末日荒野数年后,一名坚韧猎人所亲近的少女被进行人体实验的疯狂医生绑架,他于是前去解救。
远处的海
The story revolves around 27-year-old Nourqui who has immigrated illegally to Marseille and who gets by on petty crime, living a marginal and festive life with his friends. From 1990 to 2000, Nour loves, grows older and clings to his dreams, damaged by the melancholy of an irreversible exile...
大觉醒
18世纪中期,北美殖民地深陷精神与社会危机,牧师乔治·怀特菲尔德开启巡回布道,以充满力量的言辞点燃民众的信仰热情,掀起席卷殖民地的第一次大觉醒运动。本杰明·富兰克林被怀特菲尔德的布道吸引,主动为其印刷布道词,两人结下深厚友谊。富兰克林在交往中逐渐关注民众的精神觉醒,怀特菲尔德的布道也悄然影响着殖民地民众对自由的认知,两人的互动与合作,正改变着北美殖民地的精神面貌。
人气996 喜剧片
9.9 2023 美国 HD
喜剧片

年份: 2023

主演: 查尔斯·德恩   罗伯特·德尼罗   詹妮弗·绍特  

描述:In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment
展开

资源列表

  • HD中字

友情链接

本地记录
*
*