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影视简介
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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谁想当老大
讲述了龙头市最大组织"家族派"即将选出下一任话事人之际,为了各自的梦想,有的急不可待争当老大,有的却要让出老大位置的争夺。
消失于死亡谷
一名少女在死亡谷失踪,因为她家的车子抛锚了。如果父母想在女儿永远消失之前找到她,就需要结交意想不到的盟友。
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冥界司机
A trucker's family is killed in a fiery crash caused by a group of reckless teens. Rescued from the wreckage and nursed back to health by a mysterious old man, the trucker exacts brutal revenge on the teens who destroyed his life.
消失于死亡谷
一名少女在死亡谷失踪,因为她家的车子抛锚了。如果父母想在女儿永远消失之前找到她,就需要结交意想不到的盟友。
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本片讲述了重案组组长张晨峰被余建明陷害成杀人凶手后,张晨峰被捕后,在刑侦专家周杨与重案组成员的努力 下,成功将真正的连环杀人案的 凶手缉拿归案的故事。
太平间助手
讲述殡葬科学专业毕业生丽贝卡·欧文斯的故事。她在河田殡仪馆找到了一份夜班工作,起初看似平常的工作很快变得阴森可怖,她不得不直面骇人的超自然力量。
沃德河
洛杉矶一名年轻黑客被引诱盗取一名毫无戒心的女子的银行账户。
人气518 恐怖片
8.9 2023 其它 HD
恐怖片

年份: 2023

主演: 卡罗尔·贝克   艾伦·斯科特  

描述:This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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